Monday, November 25, 2013

Portfolios are Due Soon

You must include all major poems in your portfolios. There should be at least 5-7 polished poems in your portfolios (but probably more!)
· Organize your work in a way that makes sense... Theme? Dates? Whatever you think!
· Polish each piece and make them as perfect as you can.
Remember: You may have learned something new that you didn't’ know at the beginning of the year. Apply those skills!
Reflection- You need to write a 2-4 page reflection about the marking period, the creative writing process, and your progress:
· Which pieces do you think are your best? Which are your least favorite? Why?
· How did writing help you to appreciate the details of what you have read this marking period? Be sure to be specific when referencing authors and titles.
· What did you most enjoy and least enjoy about the marking period?
· What was the most difficult piece for you to write? Which one did you enjoy the most? Least?
· What did you know about writing before you started this class?
· What new things have you learned about writing? Yourself? Life?
· Grade yourself and explain why you would give that grade.
Portfolios are due on 12/4/13

Last Day Before Break!


  • Please take 10-15 minutes to put finishing touches on your projects
  • We will take turns presenting
  • The rest of the time will be dedicated to preparing portfolios to be turned in the week after break
  • Portfolios will be due 12/4/13... More information on this will be provided

Thursday, November 21, 2013

Past Due Assignments

Tuesday, November 19, 2013

Past Due Assignments

1. Black out poem
2. Found Poem
3. Seek Everywhere Poem
4. Political Poem (addressing someone in politics, etc.)

You should have about 5-7 poems- 3-5 of which should be workshopped and polished.

Essays are also way past due.

Participation will also be graded.

Tuesday, November 19, 2013

Past Due Assignments

1. Black out poem
2. Found Poem
3. Seek Everywhere Poem
4. Political Poem (addressing someone in politics, etc.)

You should have about 5-7 poems- 3-5 of which should be workshopped and polished.

Essays are also way past due.

Participation will also be graded.

Tuesday, November 19, 2013

Past Due Assignments

1. Black out poem
2. Found Poem
3. Seek Everywhere Poem
4. Political Poem (addressing someone in politics, etc.)

You should have about 5-7 poems- 3-5 of which should be workshopped and polished.

Essays are also way past due.

Participation will also be graded.

See me with questions!

Wednesday, November 13, 2013

SONG ANALYSIS WEBQUEST

SONG ANALYSIS WEBQUEST


Introduction:
Poetry can be defined as "focused writing which communicates a mood and/or experience". The popular music we listen to today, be it Britney Spears or Metallica or Eminem, fits this definition just as surely as the works of Shakespeare, Poe, or Dickinson. Now, imagine your favorite song and consider how its lyrics might work as poetry.


Task:
Write a short essay analyzing the presence and effect of poetic devices in the lyrics of a song of your choice. How does your chosen song fit the definition and function of a poem/


Process:
1. Select a song. It must fit the following criteria:
  • The song must have lyrics; no instrumentals.
  • The song must be school appropriate; check with me if you have questions.
  • Ideally, the song will have rich, diverse lyrics.
2. Use the resources below to find the lyrics of the song online.
3. Copy and paste or retype a copy of the lyrics into a word processor.
4. Print TWO copies of the lyrics. Save one copy and use the other for notes.
5. Analyze the lyrics for the presence of some/all of the following:
  • Imagery (note the sense being used)
  • Poetic devices (metaphor, simile, allusion, conceit, etc.)
  • Sound devices (alliteration, repetition, rhyme, etc.)
  • The experience communicated by the song
  • The mood communicated by the song
6. Write an essay covering the following:
  • What are the experience and mood of the song?
  • What imagery and devices are present?
  • How do the images and devices create the experience and mood?
7. Attach the 2nd copy of the lyrics to the end of your essay.

Resources:
(All of the following are collections of song lyrics online)
Lyrics.com
Getlyrics.com
Worldwide Internet Music Resources
Google.com
(Search for: "song name" "artist name" "lyrics")

Conclusion:
Now that you have analyzed your song lyrics, take some time to be aware of the poetry in the music you hear every day. The next time you turn on the radio, listen closely! You'll hear similes, metaphors, alliteration, and all of the devices we've been learning about during our unit. Imagine that!
Here are some good songs for analysis (lots of poetic devices). Check with me about your song choice.:
“Fire and Rain” – James Taylor
“Hey There Delilah” – Plain White T’s
“Ain’t No Sunshine” – Bill Withers
“Turn Turn Turn!” – The Byrds
“Einstein on the Beach” – Counting Crows
“I Say a Little Prayer” – Dionne Warwick
“Time” – Hootie and the Blowfish
“Carolina in my Mind” – James Taylor
“Love Song for No One” – John Mayer
“Highwayman” – The Highwaymen
“Brandy” – Looking Glass
“Walking in Memphis” – Mark Cohn
“In Your Eyes” – Peter Gabriel
“The Sound of Silence” – Simon and Garfunkel
“Come Sail Away” – Styx
“Aquarius/Let the Sunshine In” – The 5th Dimension
“Just the Way You Are” – Billy Joel
“We Didn’t Start the Fire” – Billy Joel
“Allentown” – Billy Joel
“Candle in the Wind” – Elton John
“More than a Feeling” – Boston
“My Way” – Elvis Pressley
“Don’t Stop” – Fleetwood Mac
“I Will Survive” – Gloria Gaynor
“Annie’s Song” – John Denver
“Ring of Fire” – Johnny Cash
“I Walk the Line” – Johnny Cash
“50 Ways to Leave Your Lover” – Paul Simon
“Every Rose Has Its Thorn” – Poison
“Scarborough Fair” – Simon and Garfunkel
“On the Road Again” – Willie Nelson
“Sweet Caroline” – Neil Diamond
“Tragedy” – Bee Gees
“Midnight Train to Georgia” – Gladys Knight
Wreck of the Edmund Fitzgerald” – Gordon Lightfoot

More instructions:

1. Listen to your song choice several times. Pay attention to the lyrics. Write them down and make notations if it helps. Try to read between the lines. Look for literary devices such as simile, metaphor and parallelism. These devices are often used in well-written song lyrics. Consult a literary device guide to help you understand these literary elements (see Resources).







  • 4
    Look for poetic devices and poetic structure, such as internal and other rhyme schemes found in poetry. Search the lyrics for hyperbole, symbolism and beautiful language you would be more inclined to find in the works of noted poets. You can find more about poetic devices by referring to a guide as you analyze your song (see Resources).




  • 5
    Discuss the music of your song in terms of tone, mood, and how it works with the song lyrics to enhance the overall message of the song. You don't need to be able to read music to hear what's going on musically within a song.




  • 2. Look for poetic devices and poetic structure, such as internal and other rhyme schemes found in poetry. Search the lyrics for hyperbole, symbolism and beautiful language you would be more inclined to find in the works of noted poets. You can find more about poetic devices by referring to a guide as you analyze your song (see Resources).

    3. Discuss the music of your song in terms of tone, mood, and how it works with the song lyrics to enhance the overall message of the song. You don't need to be able to read music to hear what's going on musically within a song.

    4. Look for poetic devices and poetic structure, such as internal and other rhyme schemes found in poetry. Search the lyrics for hyperbole, symbolism and beautiful language you would be more inclined to find in the works of noted poets. You can find more about poetic devices by referring to a guide as you analyze your song (see Resources).

    5. Discuss the music of your song in terms of tone, mood, and how it works with the song lyrics to enhance the overall message of the song. You don't need to be able to read music to hear what's going on musically within a song.
     

    Good Morning!

    I hope you all had a chance to complete your essays. I will give you 15-20 minutes to get them in order/turned in. When you are done:

    Workshop
    • Please workshop any poems in progress you may have. I have lost count, but if you have been using the prompts/working with the book, you should have plenty to work with.

    • I will need to see evidence of workshop for a grade, so please do it the right way!
      • NOTE: If your grade was lower than anticipated last marking period, it could be because you are not participating in the workshop portion of this class. THIS IS A WORKSHOP CLASS, DO NOT SKIP WORKSHOP TIME
      • Polish Poems: I would like 2-4 polished poems by the end of next week.
    Group Project

    1. With at least one other person, you are going to work together to create your own poetry projects.
    2. Your task will be to find a link between poetry and one other unrelated thing.
    3. You will write a proposal for your idea and do some research.
    4. You will also write a group poem which is the end goal.
    5. You will present your reasearch and poems in a formal way.

    After workshop time you should form groups and get planning.

    Thursday, November 7, 2013

    Catch Up Day!

    GOOD MORNING POETS!

    As you can see, I am not here today. I hope that those of you who went to Geva yesterday had a wonderful time. Neriah, HAPPY BIRTHDAY! I wish I could have celebrated with you on the actual day, but I hope PINK Wednesday was fun too.

    Here are your goals for today:

    1. Look back at each blog post from this marking period and make yourself a check list. Do you have the work done?

    2. CATCH UP! Remember, all I ask is that you give each poetry assignment a try. You do not have to marry each poem you write... you don't even have to workshop/polish them all, but those attempts are going to give you more material to choose from.

    3. Work on the Collins essay. It is due the Wednesday we come back (11/13/13). No late essays will be accepted without a valid excuse (ex. "My dog bit off all my fingers and I couldn't type/I was in the hospital...") Don't forget to cite sources, etc. It is a formal piece of writing.

    4. You may also take this time to workshop with one another and/or watch some slam poets in action.

    Please, please, please do not just play games, listen to music, do Craddock's work, etc. Try to stay on task for THIS CLASS. The time you have to workshop with one another/catch up is invaluable and I want you to be successful. A catch up day is a gift, please use it as such.

    Remember: We meet Wednesday/Friday next week because of the day off. Enjoy the extra day! I cannot believe we are halfway through another marking period! This class is flying!

    I will see you all next week.

    Love,
    Ms. Perez

    Monday, November 4, 2013

    More Slam Poetry

    Watch Disc 2 of Def Poetry for themes and ideas!
    poetry.about.com/gi/dynamic/offsite.htm?site=http://www.poetryslam.com/

    www.youtube.com/watch?v=ZfS6GCCYKoQ&feature=related
    Work on Slam poems--2nd period--in groups or alone

    How to Write Slam Poetry

    Slam poetry is an increasingly more popular form of poetry and one that is gaining recognition in academic poetry publications and contests. However, slam poetry has been popular since the early 1990s. Follow these few concise steps toward composing and delivering your own unique slam poem.

    Instructions

    1. Select a topic to write your poem about. Then begin writing your poem. It should consist of short rhythmic stanzas that play upon the theme you have chosen. Slam poetry is typically quite strong and blunt.

    2. Write your poetry to reflect some sort of current social more or rhetoric. Slam poetry makes a statement typically in a liberal fashion about something in modern society.

    3. Research new slang words or relevant modern contextual references and then go back and revise your poetry, attempting to utilize these new resources. If you are trying to say the word "say," you might try "spit" or "spew" for more impact. The more visceral the better. Do not be too formal in your presentation since formality is the antithesis to slam poetry.

    4. Read your poem out loud to a trusted friend who will give you honest feedback--preferably someone who knows a little about slam poetry culture.

    5. Record yourself delivering your poem. Typically slam poetry contests are entered through visual submissions or in person. Make sure you are adamant and passionate in your delivery.



    Performance Poetry

    Good morning! In honor of Neriah's birthday week, we are going to take a look at performance poetry.

    Bell Work: In journals or as a blog post write about your thoughts about slam poetry. Is it real poetry? Remember our essential question for the whole semester: What is poetry?

    Essential Question: Is performance/slam poetry considered true poetry, or is it it's own genre? Has traditional poetry evolved into something more? (or less?)

    Work Time

    1. We will read an article (or two) together.
    2. Listen to a slam piece (or two) together.
    3. Discuss
    4. Try to write our own slam.
    5. Continue to explore internet resources *at the appropriate time!

    Closure
    Discussion about essays/questions
    Wednesday: Wear pink. Circle of love moved. Come with something to read.

    More info on SLAM POETRY (from Ms. Gamzon's blog!)
    www.poets.org/viewmedia.php/prmMID/5672

    My Words Consume Me:

    youthspeaks.org/voice/2011/05/17/my-words-consume-me-free-download/

    Wikipedia entry:

    en.wikipedia.org/wiki/Poetry_slam

    Spoken word:

    en.wikipedia.org/wiki/Spoken_word

    Spoken word is a form of poetry that often uses alliterated prose or verse and occasionally uses metered verse to express social commentary. Traditionally it is in the first person, is from the poet’s point of view and is themed in current events.[1]

    In entertainment, spoken word performances generally consist of storytelling or poetry, exemplified by people like Hedwig Gorski, the originator of performance poetry, the lengthy monologues by Spalding Gray, and improvising ranters/commentators like Henry Rollins.